Saturday, May 12, 2007

Jenin Redux

Dorit Gabbay
Ma'ariv, April 25, 2007

Five IDF reserve troops who took part in the "Defensive Wall" operation in Jenin and were depicted as war criminals in Muhammad Bakri's production "Jenin, Jenin" have sued the film director and the Jerusalem and Tel-Aviv Cinematheque respectively. This week the five were deposed in court and claimed that the film that had portrayed them as cold-blooded murders had changed their lives and distanced their friends from them.

Five years have elapsed since the terrible events in Jenin. These five men are part of the company that lost 13 combat troops in battle. They feature as war criminals in "Jenin, Jenin", the controversial movie produced and directed by actor Muhammad Bakri (Israeli Arab). Not only were they publicly humiliated, they also started fearing for their lives. In an attempt to clear their names, the five have filed a libel suit against Bakri and the cinematheques, and demanded 2.53 million NIS in compensation.
Yonathan van Caspel was born a Christian in Holland 37 years ago. He came to Israel, converted to Judaism and served as a paratrooper in the IDF: 'I knew that Jenin was the capital of Palestinian terror capital, but I was determined to fulfill my duty for my country. On the eighth day of fighting in Jenin, my company lost 13 combat soldiers in fierce fighting with the Palestinians. This terrible event was extensively covered both by the Israeli and the international media. We were interviewed and our names and addresses were disclosed. My friends and I appear in a film called "Jenin – a reservist's war diary", shot by a fellow reservist during "Defensive Wall Operation". This footage documented the reactions of IDF troops immediately after 13 of their comrades had been killed by Palestinians in the booby trapped alleys of Jenin.
Sometime later, I was contacted by the bereaved mother of one of the soldiers killed in Jenin, appalled by the fact that we were portrayed as monsters and murderers by the film "Jenin, Jenin"… I can hardly describe how shocked I was when I watched the movie myself…The images and the accusations were terrible. Nothing was like we had seen or experienced on the ground... It was enough to convince everybody who knew I had fought in the Defensive Wall Operation that my comrades and I had committed all those heinous crimes. But the worst blow I received was when my own beloved father, who lives in Holland, called and asked me in a stern voice what I had done in Jenin. He told me that he knew that IDF soldiers murdered and massacred residents of Jenin, and wanted to know whether I had anything to do with it. I told him that those were false accusations, but I felt that did not believe me. My own beloved father was under the influence of the terrible accusations, and was wondering whether I had lost the values I had been brought up on and become a monster. My loving father, who knew me so well, who believed in my moral values, who would never have suspected me of war crimes, felt the need to call and ask me what had happened… This is how damaging "Jenin, Jenin" was.
Everybody I knew started confronting me with probing questions, trying to establish whether there was any truth to the film. I found myself defending myself and my fellow soldiers, explaining that nothing like that had ever happened, and that quite the opposite was true – IDF troops remained sensitive to the civilian population, and had made every possible effort not to harm innocent Palestinians.
The fighting in the Jenin refugee camp (by the way, anyone residing in a house is not a refugee. You got to live in a tent in order to be classified as a refugee. Except, of course, if you are a Palestinian) was fierce. We were trying to capture terrorists, but thousands of booby traps and roadside bombs had been hidden in the camp. They were firing and fighting from houses inhabited by innocent people, hiding behind civilians, including women and children. They were using ambulances for terrorist activities. I personally saw loads of booby trapped dollies and toys, just waiting for a soldier to pick them up or touch them…
My fellow soldiers and I experienced and witnessed shocking scenes. Our friends were wounded and died in front of us, sometimes in our arms. And we were the ones accused of war crimes by this film maker …
My friends and I were there the day the film was screened at the Cinematheque, to voice our protest. Members of the audience shouted "Murderers! Nazis! War criminals!", cursed and abused us. I participated in the Defensive Wall Operation for the sake of this country, I wasn't looking for a hero's death. Still I couldn't believe that I would be showered with insults and abuse, so harsh and humiliating…
I began fearing for my own life. I felt exposed. I felt someone might be prompted to take revenge on me for the "crimes" I allegedly committed in the refugee camp.'

Doron Keidar owns and manages a car parts import company. To this day he avoids calling on his Arab customers:
'I saw "Jenin, Jenin" shortly after it started playing and I can hardly describe the shock I experienced. The film is not the work of an amateur, it seems very professional and convincing, so I started asking myself which troops could have perpetrated the horrors it "documents". I thought that perhaps it was a company of "regulars", young troops who perhaps lost it and started shooting at will. It took me a while to understand that it was all fiction, a fabric of lies that had nothing to do with reality. But then I also wondered what people who hadn't been there thought about the troops who had fought in Jenin. The fact that I wasn't able to tell immediately that the film was a pack of lies made me realize that the public would brand us "war criminals", who murdered innocent civilians out of disregard for Arab lives.
The terrible charges brought against me in the film have completely changed my life. I felt ashamed, humiliated and worthless for taking part in this operation. I was embarrassed by the fact that all my friends knew I was a soldier in Jenin.'

Nir Oshri, combat medic, runs a drug rehabilitation center. Most of the soldiers died in his arms: 'I treat drug-addicts at this center. I need to develop a special bond, very close rapport with the patients, for the treatment to succeed. Sometimes the addicts become dependent on me. Many of my patients are Arabs and their situation is very complex and stressful. After "Jenin, Jenin" was aired, I felt a shift in the way my Arab patients were relating to me. Instead of seeing in me their "elder brother", the one who helps them overcome their difficulties, they began avoiding me. I often heard them whispering "Jenin" between themselves, their eyes filled with hatred. I could no longer approach them freely, uninhibitedly. They were suspicious of me. One day one of them started yelling in front of the staff and patients at the center "murderer, you massacred Arabs, tens of little children in Jenin". I felt great pain, such that words cannot describe.'

Adam Arbiv, businessman.
'My father lives in the Arab part of Yaffo-Tel-Aviv. At one time, my office was also there. After the screening of the film I felt that even my closest friends and relatives were unsure about me. My mother, who lives in Holland, asked me several times about my part in the Defensive Wall Operation, and I felt that she was worried that I might have been one of the Jenin "war criminals". The woman who gave me life, who has always been so close to me, began doubting my integrity because of this film. Perhaps some of the viewers understood that the terrible accusations were blown out of proportion, but I guess they also believed that there was still some truth to it.
Some of my relatives living in the US and Canada also contacted me, to enquire in a very around the bush fashion about the terrible actions presented in the movie. Such horrible things can drive a man insane. Nobody will ever be able to compensate me and my fellow soldiers for our stained reputation. How can I put a price to the pain I felt when my own mother needed to make sure that I was or was not a war criminal as portrayed by the film? Or when my relative living abroad looked at me trying to make sure that I was not one of the perpetrators of the heinous crimes in the film?
Due to the terrible accusations we cannot go on with our lives. I was afraid to go see my father in Yaffo. I was afraid for his life. I was afraid to go to my own office in Yaffo. I am afraid and worried to this very day.'

Ofer Ben-Nathan, lawyer:
'All of my lawyer colleagues and associates started to shun me, or even display obvious hostility due to the terrible allegations of the movie. They accused me of having committed massacres and war crimes in Jenin. They weren't even trying to conceal their disgust. I am sure I have lost numerous potential clients, Arabs who would have sought my services by themselves or based on recommendations from Arab colleagues. There were days when I thought I might be forced out of my profession, and I sometimes feared for my life.'

Muhammad Bakri – No need for balance (because I received funding from rabid anti-Semitic terrorist!)
Avigdor Feldman, Bakri's lawyer, claims that the film never intended to present a balanced image of the fighting in Jenin, but rather to allow the Palestinians to tell their story. The stories certainly reflect the events that took place in Jenin. Bakri's deposition is expected within 60 days.

Jenin, Jenin – document or propaganda?
On March 27th, the eve of Passover 2002, a suicide bombing shook the Park Hotel in Netanya. Two days later Operation Defensive Wall was launched, with the purpose of rooting out the terrorist infrastructure in the West Bank. During this operation, on April 3rd, IDF forces entered the Jenin refugee camp, practically the suicide bombers' breeding ground and headquarters. The IDF instructed the civilian population to leave, and then proceeded to enter several houses in order to apprehend terrorists hiding inside them. The troops were met with a tremendous amount of fire and explosive charges from the terrorists hiding among the civilian population. On April 9th 13 combat troops were ambushed and killed. They served in the same company as the five plaintiffs. The IDF decided to send in bulldozers in order to demolish the houses where the terrorists were hiding.
Twenty-three IDF combat troops were killed in Jenin, and 60 others were wounded, some very badly. 52 Palestinians were also killed, half of them civilians.
A few weeks later, actor and director Muhammad Bakri (much like Azmi Bishara in Lebanon) and his film crew toured the camp and shot interviews with some locals who claimed to have seen the troops shoot and kill innocent civilians, women, children and old people, prevent medical assistance to the wounded, and even loot. (Ahem... the Palestinians claim to be so pathetically poor, starving to say the least, and yet there still are valuables to be found in their booby-trapped houses? ) The Film Critics Committee stopped the screening of the film, defining it as "one-sided propaganda, … distortion of real events so as to appear as truthful documentation and give the public a wrong impression…, incitement and deligitimizing the very existence of the State of Israel.
When Muhammad Bakri petitioned the Supreme Court, three Supreme Court "justices" allowed the film to be screened in the Jerusalem and Tel-Aviv Cinematheques respectively.

Read more about Jenin here and here. This is the diary of an ultra-Orthodox soldier who was there. Also some extraordinary pics that, most likely from the writer's private albums.

2 comments:

Anonymous said...

I read your column today with total amazement. You report what five people who are in the midst of a lawsuit where they are claiming damages as a result of Bakri's film. Their claims are ludicrous to say the least. Few Israelis actually got to see Jenin Jenin and even without seeing it most of Israel turned on Mohammad Bakri- who is by no means anything like Azmi Bishara) and claimed the film to be nothing other than "blood libel" Bakri's family actually received death threats.

Over and above any of these considerations. For 30 years Bakri has been one of the leading actors in both stage and screen. He has contributed more to the cultural life of Israel than all five of the soldiers who are persecuting him. He is the only actor Arab or Jew who has consistently over the past 20 years spoken out for peace, at neve Shalom, Givat Haviva and at Peace Demonstrations. Have these soldiers done as much. He was the only Arab in the audience at the memorial service for Rabin and nobody who heard him speak could not have been moved. This is the big criminal. Dorit you should be ashamed of yourself of simply taking the word of people who are involved in a lawsuit without doing a bit of investigative journalism, did you speak to any of the people that supposedly turned on these soldiers. People like you weaken the state of israel with every passing day

wolfline said...

Nowhere in your comment (although I read it several times and with a great deal of attention) do I see any allegation that Muhammad Liar, Liar Bakri's film is a true rendition of what happened in Jenin. The veracity (or rather lack thereof) of the film is at stake, and mostly the impact on these people's lives. And that is for the court to decide, not for you and me. Besides, the plaintiffs did see the movie and can compare with what they witnessed first hand in Jenin, unlike Bakri. What you are doing is defending Bakri's "impeccable character", which you are entitled to, no doubt. Well, then, let's dwell on his character if you wish. First of all he is an actor, therefore he should be able to deliver any kind of speech and move the entire audience to tears. He learned to do that in the Israeli theater establishment, the same Israel he accuses of being "the most racist state on the planet". The same Israel that tolerates treacherous behavior and incitement to murder of Israeli from its elected Arab MK's and from members of the Arab community. The same Israel that allows him to participate in Palestinian film festivals bashing his own state in every conceivable fashion, while enjoying everything this country has to offer. The same Israel that allowed the screening of his film, although he himself admitted in an interview (with Yonathan Haleli, Ma'ariv, February 25, 2005) that the made mistakes in editing the controversial shots in 'Jenin, Jenin", because he did not shoot the footage himself and also because of the poor quality of the home video. And then he goes on to complain that because of the film he is perceived as "a bad man, enemy of the public and the state". Several Israeli artists (including Jewish ones) have been sanctioned by the public due to their extreme opinions covering the entire political spectrum. He should have been aware of the consequences. At the same time he received funding from a propaganda expert: (http://www.camera.org/index.asp?x_article=217&x_context=7) (http://news.bbc.co.uk/2/hi/middle_east/2071561.stm) (http://www.tnr.com/doc.mhtml?i=express&s=ackerman070802)
I did not know that the Bakri's received death threats. Could this be the reason why? http://www.israelnationalnews.com/News/News.aspx/39601
Moreover, in February 2005, Hassan, Bakri's son was found guilty of traveling to a neighboring village and stabbing a young man guilty of wooing Hassan's sister without the family's approval. The victim was severely wounded and had to be hospitalized.
You urge me to examine the soldiers' contribution to the Israeli cultural scene. Well then, should we also examine Bakri's contribution to the security of Israel?
And last, but not least, you failed to notice that my post is a translated newspaper article, detailing the depositions of the plaintiffs and certainly does not pretend to be anything else. Unlike Bakri, nobody funds me, so I have no time to go out and interview people and produce propaganda films. So shame has no place here.
I would like however to thank you for your interest in the strength or weakness of the State of Israel. Living in a democracy where freedom of opinion is guaranteed for all (even Bakri is allowed to put his foot in his mouth), I am also entitled to express my point of view.
"Sometimes I hate my eyes", actor Muhammad Bakri said one day after the Hebron agreement, "because they share the color of Israel's flag." (1997).